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Kristofer Kauff

Director

Experience 

Kris has a passion for developing new scripts and the collaborative effort it requires from all involved.  Over the last few years he has directed new projects in NYC,  Washington D.C., and Florida.   Recent "new work"  include Bad Actor (NYC), The Prop Master (NYC), Witchhazel (NYC),  For I am Nothing If Not Critical (Washington, D.C.), Our Struggle to be Illustrious (Washington, D.C.) Paginas Latinas (Orlando, FL) Orlando the Television Show... on stage! (Orlando, FL)

Most recent directing credits include Bad Actor (NYC), The Prop Master (NYC), Assassins (Fair Lawn, NJ), Witchhazel (NYC), Dinner With Friends (Arlington, VA), Godspell (NYC), FEARS (NYC), Why Torture is Wrong, and the People Who Love Them (Annapolis, MD), The Rocky Horror Show (Alexandria VA), Superior Donuts (Annapolis, MD), The Producers (Gaithersburg, MD), Pippin (Baltimore, MD), Little Shop of Horrors, Seussical The Musical, Inherit the Wind, Comedy of Errors, Orlando the Television Show… On Stage, and The Land of Counterpane.  (For a more detailed list, please visit the productions page.)


BIO










Kristofer Kauff began his career as an actor working on shows from Off-Broadway, Regional, Community Theater, Film and Television, as well as Walt Disney World and Universal Studios.   His true passion, however, lies in directing where he has forged an extensive career over the last 19 years.  Kris's resourcefulness, experience, patience, and passion are the cornerstones of each production. 


He is a proud associate member of SDC.

 

Philosophy and Approach 

Kristofer believes in leading a truly collaborative effort, utilizing the strengths of everyone involved in each production.  Throughout his career, Kris has dedicated himself to directing shows with a natural and realistic approach, making productions accessible to new and seasoned audiences.  In the rehearsal process he allow actors to search for the reality in their characters and relationships, always staying within the shows overall vision.  It's about bridging the script to the audience, always staying true to the writers intent.